322_Top Books by Pierre


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always think of themselves as the bringers of civilization.” — Pierre

When talking about
French music of 20th century the name without discussion cannot be
completed is Pierre Henri Marie
Schaeffer (14 August 1910 — 19 August 1995) was a French composer,
writer, engineer, musicologist and acoustician of the 20th century.

 His innovative work
and in sciences of which particularly communications and acoustics. He
presented various art of music, literature along with his radio presentation
after the end of World War II resemble him as a polymath. His anti-nuclear
activism and cultural criticism garnered him a wide array of assessment in his

Of the vast collection of works and activities undertaken by him, Schaeffer is
most widely and currently recognized for his actions in electronic and
experimental music, the epitome of which was his role as the chief developer of
a unique and early form of avant-garde music known as Musique concrète.
The type emerged out of Europe from the utilization of new music technology
developed predominately in the post-Nazi Germany era, which followed the path
of advances in acoustoelectric
and acousmatic music.

Schaeffer’s writings are very broad and include written and radio-narrated
essays, biographies, short novels, a number of musical treatises and several
plays which are often oriented towards his development of the genre, as well as
defined the theoretic and philosophy of music in general.

Today, Schaeffer is considered one of the most powerful experimental, acoustoelectric and
subsequently electronic choir, having been the first composer to utilize a
number of modern recording and sampling techniques that are now used worldwide
by nearly all record production companies.

 His collective
endeavors are considered milestones in the histories of electronic and
experimental music.

B: List of books by
Pierre Schaeffer according to their popularity

 #1 In Search of a
Concrete Music (ISBN: 0520265742)

Synopsis: Pierre Schaeffer’s In Search
of a Concrete Music has long been considered a classic text in acoustoelectric music and
soundtrack. Schaeffer’s theories have had a deep influence on composers working
with technology. However, they extend beyond the confines of the studio and are
applicable to many areas of mordern
melodic thought, such as defining an ‘instrument’ and classifying sounds.

Read it for: this book has become increasingly
relevant to DJs and hip-hop producers as well as sound-based media artists and
the uniqueness of this book interest anyone paying attention in mordern musicology or
media history.

Don’t read for: this book deals with alteration
brought in mordern
music art but lacks in ideas that are self-applicable in today’s era.


What Makes This Book Stand Out: This book from
the early days of electronic music gives great insights into the thoughts and
idea of one of the true radical in 20th-century music. The author’s approach to
writing the book was to take his notes from his diary which makes it completely
different from others.


#2 Traite
des objects musicaux (ISBN-13: 978-2020026086)

the Traité des Objets Musicaux, as think its research right in the centre of
the harmony It takes on the loud, for the first time, and this is no doubt its
merit; then it suggests ways of accessing the musical, particularly with the
idea that not all sound is suitable for music, that choices of the Suitable” 2 music be made in the
light of the Structures
to which all listening which is seeking meaning must be referred


Read it
for : Although Schaeffer’s books have philosophical bias, their philosophy is
pragmatic in its inner core, and as one reads this creation it became clear
that they would severely change their outlook on what music is and how to do it
and must-read by each endeavoring and seek artist, for artist who works to
expand what music is, might be, and will be


read it for: It was written almost half a century ago and no English from
French conversion has appeared hence, which acts as in the hurdles to for the
new generations.


What Makes This Book Stand Out: you will come
across something mysterious, astonishing. Indeed, is not musical meaning, to
which it constantly referring without being able to define it, like other
questions in life to which we do not know the answer? After all, does life have
a meaning? Who can define it? Is there the agreement about it?


#3 Treatise on
Musical Objects: An Essay across Disciplines (ISBN13: 9780520294301)

The Treatise on Musical Objects is regarded as Pierre
Schaeffer’s most significant work on music and its association with technology.
Schaeffer broadens his previous research in musique concrète to
suggest a way of operational with sounds based on his instances in radio broadcasting
and the recording studio.Interpreter like Christine North and John Dack present
an important volume in the history of thoughts in Europe that will echo far further
than music.  Although focused on his idea of the
musical object, the dissertation on Musical Objects is an retreat of new way
for thinking and guess through imminent.


crossing several discipline and rising his own musical research method from
side to side the years, Schaeffer transform the idea of the sonic material,
also exit an anosmatic invite which is reflected on his truth-seeking standpoint, ideas
on technology and his visionary concept around experimental and concrete music.
Scientific yet from the idea of music as the research device to the analysis of
listening modality, or his attempt of a language for musical substance,
Schaeffer’s thesis is a must-read which, even if can be reformulate or question,
will always be a landmark in sonic thoughts.


Read it
for :

Schaeffer’s text in a ultimate form in English is invaluable to a wide range of
community of general readers. It will have the effect of rewriting history as
well as inspiring and inform current deliberations on the state of sound,
music, and media in the age of smart technology

“The Treatise on Musical Objects is
Pierre Schaeffer’s magnum opus, a prophetic work of sound studies before there
was sound studies. Its purview touch on nearly every feature of sound
and auditory culture 

read it for: Treatise on Musical
Objects is regarded as Pierre Schaeffer’s most important work on music and its association
with technology. Schaeffer expand his earlier experience in this regard which
makes it quite odd in terms of time level and the past


Makes This Book Stand Out: The author suggests
a style of working with sounds based on his experience in radio broadcasting
and the recording studio. Drawing on acoustics, physics, and physiology, but
also on philosophy and the relationship between topic and object, Schaeffer’s
essay summarize his theoretical and practical work in music work of art.


#4 Tratado De Los
Objetos Musicales: (ISBN13: 9788420685403)

In Tratado of the musical objects Pierre Schaeffer bring forth the general main
beliefs of the insight music and its mechanism. Schaeffer’s treatise is a colossal,
innovative investigation into listen, considering in depth not only the sounds
of music but the whole sound world. At last English-speaking reader can find
out the seminal research of this unique personality, which remains a classic
fifty years after its initial book.

Read it
for: this seminal text is still absolutely vital for those curious about music,
sound, compose, and the experience of listen. Schaeffer’s amazing book is at
last available in English thanks to the magnificent work of John Dack and
Christine North.


read it for: Pierre Schaeffer’s text in a ultimate form in English is priceless
to a wide range of community of scholars, practitioners, and general reader. It
will have the effect of rewriting history as well as stimulating and informing
current discussions on the state of sound, music, and media in the age of smart
skill which many readers may not instill in them.


Makes This Book Stand Out: This marker text, not for one but for more than
a few discipline: acoustoelectric
work of art, sound studies, media theory, music theory, to name but a few. To
have an English conversion of this volume at long last is a cause for
celebration. Christine North and John Dack have shown wonderful skill, tolerance,
and care in depiction Schaeffer’s often difficult style into English,
doing fairness to both the content of his ideas and the technique in which
they are spoken.

#5 A la recherche de
la musique concrete (ISBN13: 9782020025720)

By 1949 Schaeffer’s compositional work was known openly as musique
concrète (Palombini
1993, 14). Schaeffer stated: “When
I proposed the term ‘musique concrète,’ I proposed … to point out an resistance
to the way musical work usually goes. Instead of notating musical thoughts on
paper with the symbols of solfege and entrust their understanding to well-known
instruments, the question was to collect concrete sounds, wherever they came
from, and to theoretical the musical principles they were potentially contain.
According to Pierre Henry, “musique
concrète was not a study of timbre, it is focused on envelopes.


Read it
for: The development of musique concrète was facilitate by the appearance of
new music technology in post-war Europe. right of entry to
microphones, phonograph, and later magnetic tape recorders facilitated
by an association with the French national broadcasting organization, at that
time then gave Schaeffer and his colleagues an opportunity to experiment with
recording technology and tape handling.


read it for: In 1948, a typical radio studio consisted of a series
of shellac record players, a shellac record recorder, a mixing desk with
rotating potentiometers, mechanical reverberation and microphones.
This technology made a number of limited operations available to a composer.
Which today’s composers would not find attractive


Makes This Book Stand Out: Almost seventy years after the invention of musique
concrète, this determining text is still totally vital for those
curious about music, sound, composing, and the experience of listening.
Schaeffer’s amazing book is at last available in English thanks to the
wonderful work of John Dack and Christine North.


#6 Machines a
communiqué (ISBN13: 9782020026208)

Schaeffer’s early experience in the radio medium of which deliberately in the
practice of so-called radio-phonic art – anticipate these later writings loyal
to music theory. The conclusion must be that radio-phonic art played a role of
central significance in inspirational and consolidate Schaeffer’s thoughts can
be seen in Machines a communiqué.


Read it
for: Schaeffer’s response to the new listening environment created by radio
technology was not simply to accept the situation but to investigate the relationship
between the listening subject and the object of his/her perception. This human
dimension, “man
as the measure of all things”,
the human capacities for knowledge and perception seemed a dominating factor in
his thinking. A man was now placed in a new relationship with sounds.


read it for: When Schaeffer speaks of the “transcendence of the object,” he means it in the sense that the object intend
is not immanently restricted in the stream of concerned augur which states that
the author has lead music to an enthusiastic height.


Makes This Book Stand Out: This is the backdrop to Schaeffer’s uphold that it
is in my knowledge that this transcendence is comprise. To each area of substance
write thus a type of intention. Each of their property depends on acts of awareness
that are constitutive and the object apparent is no longer the cause of my insight.
It is the associate with which author aims at achieve a transcendence of music.


#7 Prelude choral et
fugue (ISBN13: 9782080645517)

The final decades of the 20th century witness a marked alter
in the approach to instrumental music and an attention in experience a broader variety
of expressivity in music. Anesthetics of entiment and desire with regard to music is originate
in novels of the period as presented by author Prelude choral et fugue.

Read it
for: It is significant to highlight, though, that the work-concept does not control
all musical practice; this artistic is not an past key to considerate all
music; in her final chapter, Goers notes that deteriorating to keep this in
mind leads to our alienate music from its an assortment of socio-cultural context”

read it for: the artists having the place in music and its art will able to
link the instance mention in it by an author.

Makes This Book Stand Out: Structuralisms seek to explain community phenomenon
in terms of causal, cataleptic, general pattern – deep structure, which are
taken to be stationary, and examined synchronically. Although author embraces
certain aspect of structuralism, his psychoanalysis is definitely past related.

#8 Excusez-moi, he means
(ISBN13: 9782080643674)

He developed the idea of counting any and all sounds into the musical language.
At first, he strenuous on working with sounds other than those shaped by
traditional melodic instrument. Later on, he found it was likely to remove the knowledge
of musical instrument sounds and abstract them further by technique such as
removing the attack of the record sound.

Read it
for: He was among the first to influence recorded sound in the method that it
could be used in combination with other such sounds in the making of a melodic
piece. This could be thought of as a precursor to mordern sampling practices.

read it for: also, he emphasize the significance of play in the formation of
music which is not much common in other parts of the world which leads to being
sheltered in particularly in France.













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